Sam Harris by Zoe Young.

The painting echoes the pose of Manet’s Olympia – but the subject is an indigenous Australian woman surrounded by European books, that comment on the European traditions of art, and perched underneath the leg of the day bed, holding it level, is a copy of John Berger's Ways of Seeing. The symbolism of this was what first struck me when viewing the painting at the Archibald prize exhibition. It is not subtle. It offers continuity with a tradition and, at the same time, a re-contextualisation and critical comment on it. The only analysis of the painting that I found so far identifies the reference Manet’s work but concludes that Young's painting is shallow and unconsidered:

It’s a likeable, albeit lightweight work, but I don’t understand what Young is trying to tell us by putting so many books into the picture. Does she want us to know she is a good reader? Is she suggesting Harris is not just a pretty face? Either way, the gratuitous sprinkling of titles acts as a distraction, not an enhancement.

The titles aren't a distraction; they offer an interpretive lens to the entire composition. I don't think Young merely wants to show that she is a good reader. The allusion to Manet establishes continuity, the selection of books on European art and australiana reemphasises both continuity and recontexualization, and a book about the social context and purpose of art invites social comment on the traditions of art in Australia and the representation of women in art and indigenous women in particular. How could an art critic miss these connections?

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Review: Sun and Steel

A short Goodreads Review of Sun and Steel by Yukio Mishima that I wrote a little while ago. I have to say – I do not quite get the adoration that people have for this book on YouTube. People talk about it as a kind of masculine self-help book about mastering the “discipline of the steel”, weightlifting and weapons, and embracing your physical being and physical experience. The book does detail Mishima's journey to leave his room and transform himself through lifting steel, running, and fencing. Flirtations with the military, etc. Yet it isnt simply that, as the subtitle suggests "Art, Action and Ritual Death", it presents a worldview on relationship between word (spirit) and action (body) and their reconciliation in death. One of the notions that I was sympathetic to is that there is a problem of overindulging in introspection and the idea that the ‘surface’ of things might contain its own kind of depths (of experience) and that the ‘depth’ within oneself are a series ...

The Japanese Economic Miracle: Creative Destruction and Administrative Guidance.

During a lecture before the Eugenics Society in 1937, British economist John Maynard Keynes stated that “a greater cumulative increment than 1 per cent per annum in the standard of life has seldom proved practicable”. Moreover, Keynes continued, “generally speaking the rate of improvement seems to have been somewhat less then 1 per cent per annum cumulative”. Of course, Keynes was speaking during the great depression, and therefore his remarks may be tainted with a particular pessimism. But they draw into sharp relief the experience of economic growth in post-war Japan: between 1950 and 1973, GDP growth averaged 10%, a rate of sustained growth never before seen .By 1962, the English publication Economist, with poetic flair, dubbed Japan’s recovery an “economic miracle” . This designation caught on and became a general catch phrase for spectacular economic growth. In the case of Japan, a multitude of explanations have arisen for why Japan underwent an ‘economic miracle’. Crucial to...

Ideology and Symbolic power: Between Althusser and Bourdieu.

Western Marxism has often laid considerable stress upon the ideology of modern capitalist societies. This focus upon ideology stems from the failure of proletarian revolution to have either occurred, or establish socialism within Western Europe. The exact nature and function of ideology became paramount in Marxian explanations of the continued stability of Western capitalism after the Great War and Great Depression. Marxian conceptualizations of symbolic domination (under the notion of ideology) remain in the realm of consciousness and intellectual frameworks. Pierre Bourdieu developed a paradigm for understanding symbolic power and domination through his theory of dispositional practices that breaks with the concept of ideology and it basis in the tradition of ‘Kantian intellectualism’. This theoretical model both deepens and broadens the sociological understanding of symbolic power and domination, through the acknowledgment of non-intellectual and bodily elements in the dynamics o...

Seeking the Principles of Power and Danger

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